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视频简介
Eburi is a 36 year-old man. Nothing enthuses him any more. While being drunk, he promises to contribute a story to a magazine. When he sobers down, he decides to write about the life of a salaried employee like himself who is very ordinary, not particularly talented. The following is his story: In 1949, Eburi gets married to Natsuko. His monthly salary is 8,000 yen and hers 4,000 yen. Therefore, both have to work to support themselves. Eburi has developed a habituIl tendency to pester around when he gets drunk. One year after their marriage, son Shosuke is born. In 1959, Eburi's mother dies in despair of her husband who has become listless due to the several ups and downs of gaining big profits and going bankrupt. His father is still alive and Eburi is enable to find a way to pay his father's debts. He is doubtful if he can make his wife and child happy. Nevertheless, he has somehow managed to survive so far, living in one of the houses at the employee housing quarters. He gives the title "The Elegant Life of Mr. Everyman" to his story of half novel and half essay style. When it is published, it receives the Naoki Literary Prize (the award given in memory of popular writer Naoki Sanjugo). At a party to celebrate his award, he gets drunk and pesters around. Notes The film is based on a novel written in the style of an essay under the same title by Yamaguchi Hitomi, depicting everyday life of a man categorized as "During-the-war Generation" who spent school days during the war and get married to start new life in the struggling post-war era. "Everyman" in the title means an average salaried employee who makes up an overwhelming majority of the city population in Japan, and "The Elegant Life" indicates sarcasm on betterment of the standard of living of ordinary salaried employees accompanied with Japan's economic growth after only a decade from the destroyed post-war period. As depicted in the film, the author Yamaguchi Hitomi was awarded the Naoki Literature Prize for this story. When he established himself well enough to become independent, he quit working as a salaried employee. Director Okamoto Kihachi and the leading actor Kobayashi Keiju belong to the same generation as the author. Exploiting innovative effects such as inserting animation sequences, the film humorously presents compassion of a middle-aged salaried employee. Kobayashi Keiju, who was originally noted for his excellent portrayal of salaried employee, won the best leading actor award of the Mainichi Film Contest for his superb performance in this picture.。《耀眼女子》是由德国女导演和影视演员Karoline Herfurth执导的电影。这部电影用幽默和感性的方式,以五个女性在自我认知和他人期待之间的紧张关系为主题,通过松散的联系展现了她们的故事。 故事中,五位年龄不同的女性都面临着自我认知和他人期望的冲突。Frauke已经五十多岁,感觉自己不再有吸引力,丈夫Wolfgang似乎也没有留意她。她的女儿Julie想成为一名模特,千方百计地让自己符合行业的审美标准。但Julie经纪人的女儿Leyla因为超重而感到母亲无法接受自己的真实状态。 Julie的嫂子Sonja经历了两次怀孕,开始对自己的身体不满意,并陷入了人生危机。作为母亲,她感受到了巨大的压力,但是丈夫Milan似乎没有意识到她的痛苦。 Sonja最好朋友Vicky是一名教师,她向学生们传达外表只是人的一小部分的思想,认为女性和男性永远不可能真正...。本剧讲述了坐落在歌舞伎町小巷里的圣真心医院,因为当地的关系,来急诊的患者大多是贫困的流浪者、外国人、牛郎、色情业小姐等,与一般医院不同,有着特殊背景的患者。就在这时,美国国籍的原军医——神秘女性,阳子·西·Freeman(小池荣子饰)突然降临。然后,在年老的叔父的医院工作的美容皮肤科医生高峰享(仲野太贺饰)遇到了她,齿轮开始转动。。